![\"jf\"](\"http:\/\/jlgc.files.wordpress.com\/2009\/09\/jf.jpg\" "\\"jf\\"")
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1 October 2009, from 6.30pm
\nThe Japan Foundation
\nRussell Square House
\n10-12 Russell Square
\nLondon WC1B 5EH<\/p>\n
During the past decade, there has been a boom in contemporary art projects in various areas of Japan, often as a tool of town or city regeneration. What may be unique about these projects is that many are happening outside the situ of the museum and are being led by the communities where the projects take place. This new phenomenon has increasingly come to occupy an important position in Japan\u2019s contemporary art scene and has created an opportunity to review the relationship between art and those who are involved in it. For this event, Takashi Serizawa<\/strong>, the founder and Director of P3 art and environment, will introduce some of the state of the art projects which have emerged in Japan since the 1990s, showcasing a few interesting examples in his brief presentation. Serizawa has been involved in numerous recent art projects, such as Beppu Contemporary Art Festival 2009; he was also one of the Curators of the International Triennale of Contemporary Art Yokohama 2005, and is the Director for the Asahi Art Festival.<\/p>\n Serizawa\u2019s presentation will be followed by a discussion with Keith Whittle<\/strong>, International Projects, Central Saint Martins College of Art and Design, and Andrea Schlieker<\/strong>, Curator of the Folkestone Triennial. They will explore the role and function of recent contemporary art projects, in particular, those rooted in communities, as opposed to conventional museum exhibitions, questioning if this style may pave a way forward for the presentation of contemporary art.<\/p>\n